Journal Articles


Kalonaris S., Spatial Audio and Parameter Mapping Experiments for the Auditory Display of Coral Bleaching Data. Journal of the Audio Engineering Society, Vol. 72(5), pp. 317–327, 2024.

Kalonaris S., On Xenakis's Games of Musical Strategy. MusMat: Brazilian Journal of Music and Mathematics, Vol. 6(2), pp. 56–71, 2022.

Aljanaki A., Kalonaris S., Micchi G. & Nichols E., MCMA: A Symbolic Multitrack Contrapuntal Music Archive. Empirical Musicology Review, Vol. 16(1), pp. 99–105, 2021.

Kalonaris S. & Scott D., Athelstan Sound: Dialogic listening, inclusion and community. Contemporary Music Review, Vol. 38(5), pp. 518–520, 2019.

Kalonaris S., Beyond schemata in collective improvisation: a support tool for music interactions. Leonardo Music Journal, Vol. 28, pp. 34–37, 2018.

Kalonaris S., Satisficing goals and methods in human-machine music improvisations: experiments with Dory. Journal of Creative Music Systems, Vol. 2(2), 2018.

Gifford T., Knotts S., McCormack J., Kalonaris S., Yee-King M. & d'Inverno M., Computational systems for music improvisation. Digital Creativity, Vol. 29(1), pp. 19–36, 2018.

McArthur A. & Kalonaris S., Foregrounding expectation: spatial sound-image composition in virtual environments. The New Soundtrack, Vol. 7(2), pp. 95–110, 2017.


Book Chapters


Kalonaris S., A Study on Noise, Complexity, and Audio Aesthetics. In: Martins, T., Rodríguez-Fernández, N., Rebelo, S.M. (eds) Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2022. Lecture Notes in Computer Science, vol 13221. Springer, Cham, 2022.

Kalonaris S., Evolutionary Games for Audiovisual Works: Exploring the Demographic Prisoner's Dilemma. In: Ekárt A., Liapis A., Castro Pena M. (eds) Computational Intelligence in Music, Sound, Art and Design. EvoMUSART 2019. Lecture Notes in Computer Science, vol 11453. Springer, Cham, 2019.

Kalonaris S., Adaptive Markov Network: a music game piece for free improvisers. In Collaborative and Distributed Processes in Contemporary Music-Making, Redhead, L. and Glover, R. (ed.). Cambridge Scholars Press, 2018.


Conference Proceedings


Invited Talks


Generative AI in Music: Innovation, Co-Creativity, and Critical Issues. Futura - AI, The Italian Chamber of Commerce in Japan, Tokyo, Japan, 2024.


Mutualism and soundscape ecology for the auditory display of data. TAma Music and Arts Festival (TAMA), Meisei University, Tokyo, Japan, 2021.

Computational Aesthetics and Music. Sensilab, Faculty of Information Technology, Monash University, Melbourne, Australia, 2019. Read the blog.

Two-mode musical networks: a conceptual blend for systemic interaction. The Power of Musical Networks, Orpheus Institute, Ghent, Belgium, 2018.


Issues in the Evaluation of Creative Music Systems. Conference on Computer Simulation of Musical Creativity (CSMC), The Open University, Milton Keynes, UK, 2017.


Purposive suboptimal listening and learning in human-machine improvisations. Interactive Audio Lab, Northwestern University, Evanston, Illinois, USA, 2017.

Game-theoretical approaches to systemic music improvisation. École des Hautes Études en Sciences Sociales (EHESS), Paris, France, 2017.

Silence and sound as notional trust: Bayesian games in networked music performance. Tracking the Creative Process in Music, Huddersfield University, Huddersfield, UK, 2017.




Guest Lectures


Generative AI for Music Creation. College of Arts, Media and Design (CAMD), Northeastern University, Boston, USA, 2024.


Deep Learning for Music Applications. Graduate School of Information Science and Technology, University of Tokyo, Japan, 2022 – 2024.


Agent-based Models & Evolutionary Computation for the Simulation of Musical Creativity. Computational Creativity Lab, Keio University, Fujisawa, Japan, 2020.


Human-Machine Musical Creativity. Computational Creativity Lab, Keio University, Fujisawa, Japan, 2019.




Public Outreach


Akasakana. Communication in Science & Technology Education & Research Program (CoSTEP) in collaboration with Sapporo Cultural Arts Community Center (SCARTS), Sapporo, Japan, 2025.


Multimedia Programming for Digital Arts. Limbo, Margate, UK, 2017.

Creative Coding for Audio-visual Artists. Crescent Arts Centre, Belfast, UK, 2016.

Inspiring Lives, Creating Futures. RCUK School University Partnership Initiative Program, (SUPI), Belfast, UK, 2015.


The Art and Science of Sound. Northern Ireland Science Festival, Belfast, UK, 2015.

Laboratories


SARC: Center for Interdisciplinary Research in Sound and Music

RIKEN Center for Advanced Intelligence Project (AIP)

ENES Bioacoustics Research Lab






Societies








Committees


Steering Committee, AI Music Creativity (AIMC), 2022 – 2024.

Demo Committee, 16th International Symposium on Computer Music Multidisciplinary Research (CMMR), Tokyo, Japan, 2023.


Conference Chair, 3rd Conference on AI Musical Creativity (AIMC), Online, Anywhere, 2022.

Scientific Committee, 2nd Conference on AI Musical Creativity (AIMC), Institute of Electronic Music and Acoustics (IEM), Graz, Austria, 2021.



Reviews


Journals





Conferences








1: Best Reviewer Award in 2020